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Notman Studio collection

  • Collection
  • [ca. 1869]-[ca.1920]

Collection consists of photographs taken by Notman Studio of Halifax, Nova Scotia and consists mainly of individual and group portraits of residents of, and visitors to, Halifax. Also includes naval ships and personnel, and buildings, streets and views of Halifax, as well as other Nova Scotian communities, including Antigonish, Canso, Dartmouth, Grand Pré, Musquodoboit Harbour, Sheet Harbour, Truro and Whitehead. Predominantly proof prints; also includes glass negatives, both wet- and dry-plate. Photographs organized by format, and within each format by original negative/proof print number.

Notman Studio (Halifax, N.S.)

Sally Ross Acadian Cemeteries Research Collection

  • 2013-032/001; Graphic 2013-032/002-004.
  • Collection
  • 2003

Collection was created during 8 field trips and consists of black and white photographic negatives and contact sheets of 60 post-Deportation (after 1764) Acadian cemeteries, supplemented with colour prints of the oldest surviving cemetery at St. Pierre Catholic Church in Chéticamp on Cape Breton Island, Nova Scotia, and a typed inventory describing each negative. This is not a comprehensive collection of all Acadian grave markers. Rather, the photographs represent a sampling of grave stones and monuments dating from 1817 (earliest found) to 2002, selected by Dr. Ross for their physical characteristics, French language inscriptions and historical significance. Examples in wood, stone, concrete and metal are depicted, as well as representative family names and at least one World War I or World War II veterans’ grave marker from each parish community. The layout and geographical site of each cemetery is also captured. Dr. Ross organized the photographs by community and within each community, by church cemetery. She also created a written inventory describing each photograph including the French inscription with English translations, a provincial map showing cemetery locations and a final report to the funder outlining her cultural analysis. The photographs were taken by Deborah Trask. This Collection shows the influence of French culture, and in particular the longevity of the French language, in Nova Scotia’s Acadian-founded communities through an examination of cemeteries as cultural artifacts over time.

Ross, Sally